The quote in the title of this post comes from Bob Dylan’s song title, which he sang in 1964, the high time of my music.

In case you haven’t figured it out, i’m an old music nut. Like all kinds of old music. As far back as my conscious thought (which now are beginning to fade away), i listened to the Nashville AM stations we could pick up thirty miles away.

At night after nine o’clock, WLAC played the blues until around four in the morning. Of course, most of my listening was with the radio under the blankets with me after lights out.

Simm’s Motorola store on South College Street had wonderful stereo system consoles in the front (long before we had an inkling of a phone without a wire and a dial) had rows of wooden bins chocked full of 45 RPM records stacked neatly. i would get my ten dollars for the weekly mowing and trimming of Fred and Ruby Cowan and J. Bill and Bessie Lee Frame’s yards and head down to Simm’s on my Schwinn one-speed bicycle. There, i wished i had more lawns to mow and drop that ten bucks on about ten records, saving the change for a Dr. Pepper and a Three Musketeers candy bar or two.

The records would be placed in the bicycle basket on the handlebars, and i would pedal home just over a mile, run upstairs to the bedroom my brother Joe and i shared. i would pull out the 45 RPM record player (portable if you were going to someplace had an electrical outlet, and play my new purchases for the rest of the afternoon.

Or…i would listen to a special offer on WLAC from Randy’s Record Shop in Gallatin and order ten records for somewhere around three bucks from the Excello or other minor recording studios, all blues, all blues and play them over and over and over. From there, i graduated to folk music and fell in love with Judy Collins and all the others. i began to appreciate country music, especially bluegrass after eschewing the genre in my know-it-all teen years. And someone exposed me to jazz.

At least, i left Vanderbilt (unceremoniously) with a wider appreciation of music. i did not realize i was about to be immersed into the waters of all music. MTSU was now my college education site. It turned out better than i would have ever imagined. But to get there and stay there, i had to have at least one, two, or three jobs to pay for it. The Navy and primarily my parents had paid for cavorting around Nashville’s West End. Now, it was my time to pay. The biggest paycheck was from WCOR. i got my third class radio engineer license and became a deejay.

Time to absorb some music. i was the FM evening disc jockey from 7:00 to 10:30 each weeknight and Sunday mornings. i worked AM, playing Top 40 pop music, although i snuck in as much blues as i could on Saturday and Sunday afternoons.

Clyde Harville and Coleman Walker’s country music began to grow on me . My stops at the Birdwell’s diner, which was originally Winfree’s Restaurant, after my evening work for beer and table shuffleboard, sold me on “country.” After all, how could anyone not fall in love with country music after listening to Ernest Tubb and Loretta Lynn sing “Sweet Thang” several times a night.

But my real education came on that FM show. FM radio was a new phenomenon, especially in small town country stations. There were no commercials, only public service announcements. The small studio walls were crammed with 33 RPM LPs, not one of them country, rock, or blues.

For the first week or so, i followed my predecessors and would pick out an album randomly, introduce it, and put on a side and relax until it was over. i played a public service announcement every ten minutes, read headline news at the half hour and read a five minute news wire service along with the current temperature on the hour. It provided some study time, but it was boring, boring.

An idea came into my head: why not explore that vast number of albums in those cubbies? The station’s FM format was called “Accent.” i adopted the term and began “Evening Accent.” i would go through the albums and try to mix easy listening, light classical, jazz, big band, and vocals. i would introduce each song and explain the genre, artist(s), and source.

It became a music school for me. i loved it, especially in the summer. That’s when i would open the evening with Tony Bennett’s “Once upon a Summertime,” and then proceed with what i called a “cornucopia of music.”

It was a pretty thorough education. i had covered most music genres of that time except opera. i covered that when i heard an aria from Bizet’s “Carmen.” i immediately went out and bought a three-record set of the entire opera, and listened to it end on end for a couple of days.

There was more music until i went so far west i was in the East…on a ship. i didn’t listen to a lot of new music simply because there wasn’t any available over there at sea. But i had recorded tapes and cassettes of my old music. As i warned in my intro to “JJ the Deejay’s weekend afternoon rock program from years ago, it truly “may sound scratchy, but it’s just the gold dust in the grooves.”

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That is mostly what i listen to now, my old music. i have listened to the new music, not enough to claim any valid assessment, but it seems to me there is a difference from today’s tunes and mine.

The old music i listen to seems to focus on two themes. Most of it is about love, treasured loves, broken hearts, promises of love, adoration. The second focus is about dancing, every kind of dancing: “It Takes Two to Tango,” “The Twist,” “The Bossa Nova,” “The Walk,” “The Tennessee Waltz,” “The Alligator,” “Shake Your Money Maker,” “The Dog,” “The Monkey,”…ahh, i think you get the idea.

It seems to me the stuff i get from today’s music is angst and anger, or braggadocio macho or feminist rants. i have heard some really good stuff. After all, i have two daughters who are both music lovers and they play a lot of today’s good music.

This isn’t a knock on today’s music, although i don’t like all of the fireworks, smoke, flashing lights and bizarre costumes that seem required to present it. i like my music to focus on the music.

i come from a different, long gone world. Things have changed, and howdy, have they changed. i remember being admonished by Dr. Womack, formerly my seventh grade principal. Years later number of my contemporaries were bemoaning the state of our teenagers, Dr. Womack pointed out that our parents had said the same things, held the same concerns about us when we were teenagers. He was correct.

During my four score years around here, i have been exposed to many cultures in many countries. The Navy was responsible for a lot of that exposure. And as much as we fear different folks from different places and cultures, we all are a lot a like. Each bunch has a lot of good folks with good intentions. There are a lot of people who only care about themselves and mistreat others to get what they want. There are folks who tell the truth and folks who lie. There are saints and there are devils in all of those groups.

i’m done with any effort to improve our group: too old, and i’m pretty sure no one under 65 would not listen to me anyway. i am not complaining. i’m not well-versed in how folks today think about living well. It’s sort of like my music and theirs. i wish them the best.

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But late this afternoon, i plan to sit on patio as the sun slides into the Pacific behind our hill, turn on Tony Bennett’s “Once Upon a Summertime,” close my eyes, and smile.